|
- Does Eve Teschmacher Really Have Shrimp Toes? James Gunn . . . - CINEMABLEND
It’s claimed at multiple points in the movie that Eve has odd-looking toes, which are compared to those of a mutant At one point, it’s even said that her digits look like old shrimp Now,
- Eve Teschmacher (DCU) | DC Database | Fandom
This version of the character is exclusive to the continuity of the DC Universe and is an adaptation of Eve Teschmacher The original character was created by Mario Puzo, David Newman, and Leslie Newman and first appeared in the film Superman: The Movie Eve Teschmacher is portrayed by Sara Sampaio
- Eve Teschmacher - Wikipedia
After Lex is killed, Teschmacher tries to flee but is coerced into working for covert organization Leviathan as their assassin after her father is killed Lena captures her and uploads the artificial intelligence Hope into her brain, enabling Hope to control Teschmacher's body
- Instagram
Sara Sampaio shares some behind the scenes selfies from the set of ‘Superman’ in her Eve Teschmacher wardrobe"
- Does Eve Teschmacher Really Have Shrimp Toes? James Gunn Has A Spoiler . . .
There are a few funny bone-tickling, running gags throughout the film, and one of them involves Lex Luthor’s girlfriend, Eve Teschmacher It’s claimed at multiple points in the movie that Eve has odd-looking toes, which are compared to those of a mutant
- Mutant Toes! Sara Sampaio shares. . . - The Legacy of Nerd - Facebook
Sara Sampaio shares some behind the scenes selfies from the set of ‘Superman’ in her Eve Teschmacher wardrobe
- Eve Test Marker (DC Universe) - NamuWiki
Just before being dragged, Eve barely succeeded in transmitting the data to Jimmy, and the Daily Planet confirmed it, and the identity of the data was embarrassed by Eve's selfie taken in all kinds of places
- ‘Superman’ Actor Sara Sampaio Defends Eve Teschmacher’s Ditzy Depiction . . .
Far from just a byproduct of bringing the DCU into the modern age, Superman actor Sara Sampaio says that the vapidity seen in James Gunn’s take on Eve Teschmacher was not only an intentional creative decision, but one ultimately meant to serve the film’s exploration of ‘what it means to be human’
|
|
|