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  • Longevity in NIME research: a case study using time-based media art . . .
    Marques-Borbon and Avila, while discussing longevity, posit the issue of instruments being maintained only “anec-dotally or as paper citations” [41] Morreale and McPher-son systematically analyzed the work presented at NIME [45], illustrating that only a small percentage of devices presented at the conference have been used in many per
  • Pain Creature: interdisciplinary collaboration in the design of an . . .
    Soma design has been previously used in the NIME community by Cotton et al [10], Martinez-Avila et al [41] and Bang et al [2] for the development of embodied DMIs
  • Body Lutherie: Co-Designing a Wearable for Vocal Performance with a . . .
    This paper discusses our co-design, uniting Freire’s per-spectives of fashion, costume, and eTextiles with Reed’s vo-cal performance and pedagogy, for the more-than-human physicality of a vocal body [17] Drawing on somatic aware-ness [24], material-discursive practices [44], and Barad’s agential realism theory [5], we propose Body Lutherie as a design practice to distinguish and
  • The Obstacle Course of DMI Performance: Two Case Studies with T-Stick . . .
    This article presents two case studies featuring DMIs, the T- Stick and the Karlax, aiming to showcase various technical and performance obstacles encountered in existing and new compositions for novel instruments The analysis covers dif- ferent stages of a performance, including preparatory pro- cesses, practice sessions, and the actual performance, high- lighting challenges faced and




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