- Cornett - Wikipedia
The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650 [10]
- Cornett | Woodwind, Renaissance, Baroque | Britannica
Cornett, wind instrument sounded by lip vibration against a cup mouthpiece; it was one of the leading wind instruments of the period 1500–1670 It is a leather-covered conical wooden pipe about 24 inches (60 centimetres) long, octagonal in cross section, with finger holes and a small horn or ivory
- The Cornett, Cornetto, or Zink: An Early Music Wind Instrument
The cornett, cornetto, or zink produces a lovely sound that often resembles the human voice It has finger holes like a recorder and a mouthpiece like a trumpet
- CORNETT Definition Meaning - Merriam-Webster
The meaning of CORNETT is a usually treble wind instrument used especially for church choral music of the 16th and 17th centuries with a cup mouthpiece, a straight or slightly curved tapering leather-covered wooden or ivory body with no flare, and seven finger holes —called also zink, zinke
- Cornetto (Renaissance) – Early Music Instrument Database
Without the trumpet, the usual Renaissance brass ensemble consisted of the sackbut with the cornetto, or Zink, as Praetorius and his countrymen termed it (also known in England simply as the “cornet” or “cornett”)
- Encyclopedia of Organ Stops
In its quintessential form, the Cornet is a wide-scaled compound stop without breaks, containing a third-sounding rank, often of short (treble) compass
- Explore the Cornett: A Renaissance Music Gem
Throughout this article, we will dive deeper into Cornett’s history, playing technique, and its significance in Renaissance music You’ll learn how the cornett differs from the trumpet, explore its various types, and discover insider tips for mastering this remarkable instrument
- Engineering:Cornett - HandWiki
The cornett, cornetto, or zink is a wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650 It was used in a variety of situations, including performances by professional musicians, state music and liturgical music It accompanied choral music
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