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  • Chinoiserie - Wikipedia
    Chinoiserie focuses on subjects that were thought by Europeans to be typical of Chinese culture Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism
  • What Is Chinoiserie? Everything to Know About the Design Style
    Here's what you might not know about the design style, which began in the 17th and 18th centuries and continues with chinoiserie interiors, decor items, and themes today
  • Chinoiserie | Oriental Art, Porcelain Lacquerware | Britannica
    Chinoiserie, 17th- and 18th-century Western style of interior design, furniture, pottery, textiles, and garden design that represents fanciful European interpretations of Chinese styles
  • CHINOISERIE Definition Meaning - Merriam-Webster
    The meaning of CHINOISERIE is a style in art (as in decoration) reflecting Chinese qualities or motifs; also : an object or decoration in this style Did you know?
  • Chinoiserie – How Europe Became Obsessed With Chinese Art
    From the late 17th century to the 18th century, a distinctive aesthetic style known as Chinoiserie took Europe by storm Chinoiserie is characterized by the widespread use of Chinese motifs such as pagodas and dragons and an abundance of natural elements in European artistic and decorative styles
  • Chinoiserie – an introduction · V A
    Chinoiserie motifs similar to those found on chinoiserie furniture and porcelain – pagodas, floral designs, and exotic imaginary scenes – also appeared on wallpaper during the 18th century
  • Chinoiserie | What Is Chinoiserie? - Living In Design
    Chinoiserie is characterised by several significant motifs and occasionally replicated directly from Chinese artefacts, but its main components are created by European artist's The patterns often included dragons, phoenixes, pagodas, floral designs, natural landscapes, and Chinese figures
  • Chinoiserie: History, Characteristics, Motifs
    In visual art, the term "Chinoiserie" ("Chinese-like") describes the pseudo-Chinese decorative style which flourished in Europe during the 17th and 18th centuries




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