- Lee Friedlander - Wikipedia
Lee Friedlander ( ˈfriːdlændər ; born July 14, 1934) is an American photographer and artist In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs
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- Lee Friedlander Photography, Bio, Ideas | TheArtStory
Friedlander was a photographic provocateur, producing photo books with his street scenes and often fragmented, uncoordinated compositions
- Lee Friedlander | American Street Photographer, Documentary Artist . . .
Lee Friedlander (born July 14, 1934, Aberdeen, Washington, U S ) is an American photographer known for his asymmetrical black-and-white pictures of the American “social landscape”—everyday people, places, and things
- Lee Friedlander - Fraenkel Gallery
Lee Friedlander began photographing the American social landscape in 1948 With an ability to organize a vast amount of visual information in dynamic compositions, Friedlander has made humorous and poignant images among the chaos of city life or in dense natural landscapes, focusing on countless subjects ranging from cars and trees to monuments
- The ‘Social Landscapes’ of Lee Friedlander - Common Edge
Friedlander, as many followers of photography know, is a documenter of the “social landscape”: towns, cities, buildings, roads, open spaces, and the ways people use them or are frustrated by them He does, however, have a sly sense of humor that may explain the ill-fitting title
- Lee Friedlander Retrospective - LensCulture
Comprised of six early color portraits, 477 black-and-white gelatin silver prints, and 25 examples of Friedlander’s books, special editions, and portfolios, Friedlander traced a prolific career that continues to thrive after half a century
- Lee Friedlander - International Center of Photography
Friedlander is responsible for printing the negatives of the turn-of-the-century New Orleans photographer E J Bellocq, whom he rescued from oblivion Friedlander's photography follows in the tradition of documentary photography as practiced by Walker Evans and Robert Frank
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