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  • Pierrot - Wikipedia
    In 1897, Bernardo Couto Castillo, another Decadent who, at the age of twenty-two, died even more tragically young than Peters, embarked on a series of Pierrot-themed short—"Pierrot Enamored of Glory" (1897), "Pierrot and His Cats" (1898), "The Nuptials of Pierrot" (1899), "Pierrot's Gesture" (1899), "The Caprices of Pierrot" (1900
  • Pierrot Through the Arts: The Cultural History of a Sad Clown
    The moonstruck mime Pierrot has had a lasting influence on the arts, from the commedia dell'arte to Arnold Schoenberg and David Bowie
  • History’s Quietest Icon: The Many Faces Pierrot - Messy Nessy Chic
    In the late 1800s, the French Romanticist poet Théophile Gautier wrote a comedic fantasy, Pierrot Posthume, featuring the famous clown, elevating Pierrot into the literary circle
  • PIERROT Definition Meaning - Merriam-Webster
    The meaning of PIERROT is a stock comic character of old French pantomime usually having a whitened face and wearing loose white clothes
  • Pierrot | Clownology Wiki | Fandom
    The Pallidus triste, also known as Pierrot clowns, are distinguished by subtle hints of color, typically in cool grays and, in some cases, muted blues, setting them apart from other monochromatic clown species
  • The Art of Pierrot: A Painter’s Study - Creative Flair
    Pierrot is the eternal ‘outsider,’ an aspect which has rendered him particularly compelling to the expressive mind He embodies the solitude that often accompanies artistic genius and the isolation felt in the pursuit of purity and authenticity
  • Pierrot and his world: Art, theatricality, and the marketplace in . . .
    The first time Pierrot appeared on the French stage, he longed for ribbons This was in 1665, when the playwright Molière introduced a bumbling peasant named Pierrot into his re-telling of the tale of Don Juan, a suave and aristocratic womaniser
  • Pierrot - The Art and Popular Culture Encyclopedia
    Pierrot is a stock character of pantomime and Commedia dell'Arte whose origins are in the late seventeenth-century Italian troupe of players performing in Paris and known as the Comédie-Italienne; the name is a hypocorism of Pierre (Peter), via the suffix -ot




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