- Raphael - Wikipedia
Raffaello Sanzio da Urbino[a] (Italian: [raffaˈɛllo ˈsantsjo da urˈbiːno]; March 28 or April 6, 1483 – April 6, 1520), [2][b] now generally known in English as Raphael (UK: ˈræfeɪ əl RAF-ay-əl, US: ˈræfi əl, ˈreɪfi -, ˌrɑːfaɪˈɛl RAF-ee-əl, RAY-fee-, RAH-fy-EL), [4] was an Italian painter and architect of the High
- Raphael | Biography, Artworks, Paintings, Accomplishments, Death . . .
Raphael, master painter and architect of the Italian High Renaissance, best known for his Madonnas and for his large figure compositions in the Vatican His work is admired for its clarity of form and ease of composition and for its visual achievement of the Neoplatonic ideal of human grandeur
- Raphael - World History Encyclopedia
Raphael (1483-1520) was an Italian painter and architect who is regarded as one of the greatest of Renaissance artists alongside Michelangelo (1475-1564) and Leonardo da Vinci (1452-1519)
- Raphael Paintings, Bio, Ideas | TheArtStory
Raphael translated the High Renaissance ideals of beauty in breathtaking paintings that made his images iconic, and his name a legend
- Raphael: Biography, Life, Death, Facts - World History Edu
Here is an in-depth look at the life, artworks and major facts about Raphael, the author of many works of arts and masterpieces
- Raphael - Painter and Architect, Age, Married, Children and Death
Raphael, born Raffaello Sanzio on April 6, 1483, in Urbino, Italy, emerged as one of the most significant figures of the Italian Renaissance Trained initially by his father, Giovanni Santi, Raphael inherited a rich cultural legacy that laid the foundation for his artistic development
- Raphael (1483 - 1520) | National Gallery, London
For centuries Raphael has been recognised as the supreme High Renaissance painter, more versatile than Michelangelo and more prolific than their older contemporary Leonardo
- Raphael Biography
Raphael (1483-1520) was a renowned Italian painter and architect of the High Renaissance, known for his harmonious and balanced compositions, as well as his exquisite use of color and light
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