- United Productions of America - Wikipedia
United Productions of America, better known as UPA, was an American animation studio and later distribution company founded in 1941 as Industrial Film and Poster Service by former Walt Disney Productions employees
- University Preparatory Academy - San Jose, CA - Yelp
7 reviews of UNIVERSITY PREPARATORY ACADEMY "My daughter has been attending UPA the last five years, it is grades 7th through 12th The staff here at UPA are truly awesome, and so are the parents!! The school focuses strictly on academics and gearing the students towards a university "
- What Inspired UPA - Where Creativity Works
So today, I want to share the artists and films that acted as key influences for one of the most influential studios in animation To begin, we must first revisit the context within which UPA had formed
- United Productions of America and Cartoon Modernism
Bosustow founded UPA in 1943, initially named Industrial Film and Poster Service, with Zack Schwartz and David Hilberman, both ex-Disney employees, and catered initially to the sponsored film market
- An Introduction to UPA - by Animation Obsessive Staff
In many ways, it’s down to the impact of one studio: UPA, or United Productions of America Founded in the ‘40s by disgruntled Disney artists, UPA blew up the medium and reassembled it
- United Productions of America (UPA) - Wikizilla
United Productions of America (UPA) was an American company founded in 1941 Beginning as an animation studio, UPA produced several theatrical shorts for Columbia Pictures such as the Mr Magoo series, and went on to find success with the television series Gerald McBoing-Boing it produced for CBS
- UPA (animation studio) | Hey Kids Comics Wiki | Fandom
United Productions of America, better known as UPA, was an American animation studio active from the 1940s through the 1970s Beginning with industrial and World War II training films, UPA eventually produced theatrical shorts for Columbia Pictures, notably the Mr Magoo series
- Cartoon Vision: UPA Animation and Postwar Aesthetics
UPA, Bashara argues, was as much an active participant in this modernist project as Charles and Ray Eames, Paul Rand, and other towering figures of postwar Ameri-can design
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