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DANTE, VASARI AND MICHELANGELOS PIETÀ IN ROME - JSTOR Giorgio Vasari, Le Vite de ' più eccellenti architetti, pittori , et scultori italiani, da Cimabue insino a' tempi nostri, ed Luciano Bellosi and Aldo Rossi (Turin: Giulio
Sculptors Signatures in Baroque Rome: Some Preliminary . . . The earliest Rome; and, finally, to Noriko Gamblin, for her probing surviving sculptor's signature on a Greek statue appears questions and careful editing of my text on the base of a Kouros in the Delos Museum, general- ly dated 630 BCE, which is inscribed: EUTHIKARTIDES i Giorgio Vasari, Le vite de più eccellenti pittori scultori M ANETHEKEN
Documents for Filippo Strozzis Chapel in Santa Maria Novella . . . 20 For the Carafa commission Vasari says that Filippino was paid 'duemila ducati were being painted when Filippino's contract was drawn d'oro, senza le spese degli azzurri e de' garzoni,' VASARI-MILANESI, op Cit , Vol III, up 18 Quite possibly Filippo Strozzi had this grandiose pro- pp 470-471
BOOK REVIEWS 355 GIORGIO VASARI, Le Vite de pizi eccellenti . . . BOOK REVIEWS 355 historians Breaking the barriers that he had imposed GIORGIO upon him- VASARI, Le Vite de' pizi eccellenti pittori rtunate meeting with Titian and the open vision of Bettarini, Venice, he intro Paola Barocchi, Florence, Sansoni, came finally to taste t
Chompare e amicho karissimo: A Portrait of Michelangelo . . . 1925 2 G Vasari, Le wie de' pi? eccellenti pittori, scultori ed architet tori, ed G Milanesi, Florence, 1878-1885, V, pp 279-283 For a recent analysis of the portrait of Michelangelo painted by Bugiardini, with bib liography, see P Ragionieri, Michelangelo tra Firenze e Roma, exh cat Rome (Palazzo Venezia) and Florence (Casa Buonarroti),
Writing the body: Andrea del Verrocchio’s Measured Drawing of . . . In the 1550 edition of Le vite, Giorgio Vasari admits: “To tell the truth, he had a rather hard and crude style in both sculpture and painting, as if he had acquired it after endless study rather than because of any natural gift […] ”7