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Khan Academy The fact that these “before” photographs still have the power to shock years, and even decades, after debates about “decolonizing the museum” have become widespread, and the looting of antiquities is widely recognized as a scourge, reveals how thoroughly we’ve been conditioned by museum rhetoric of beauty and universality
A market for looted antiquities (article) | Khan Academy Criticism of the international trade in looted antiquities mounted, and in 1970 UNESCO brought countries together under an international convention to protect the world’s cultural heritage from exploitation by market forces This date of 1970 has over time come to be accepted as the norm for acquisition of antiquities, particularly among
Khan Academy Looting and illicit antiquities trafficking continues despite protective measures both in Peru and abroad Thankfully, U S import restrictions have resulted in the confiscation and return of many artifacts to Peru, including 18th century religious artifacts stolen from churches and thousand-year-old human skulls torn from their graves
Khan Academy Repatriation is the return of stolen or looted cultural materials to their countries of origin Although a belief that looting cultural heritage is wrong and stolen objects should be returned to their rightful owner dates to the Roman Republic (see Cicero’s Verrines) it was not until the 1950s, when the stark truths of colonization and war crimes against humanity began to be exposed, that a
The Great Pyramids of Giza - Khan Academy Although many Egyptian antiquities were taken out of the country many years ago, today whatever is found in Egypt would likely stay there One of the world's leading Egyptologists is actually Egyptian himself, and he used to head the country's department of antiquities The country is also planning a Grand Egyptian Museum near Giza
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Khan Academy She explores the intersection of art and ancient Greek society with specific attention to performance, gender and the impacts of the illicit antiquities trade and forgery She has taught at Columbia University, New York University, Rutgers University and was Associate Professor of Classics and Art History at Montclair State University