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Horseplay: Equine performance and creaturely acts in cinema by Stella Hockenhull Béla Tarr’s latest and reputedly final film, The Turin Horse (2011), takes its prompt from the story about an encounter that Nietzsche claims to have experienced with a maltreated horse on Via Carlo Alberto, Turin [1] Tarr’s film opens with an image of a large horse pulling a cart through the bleak, inhospitable Hungarian landscape The mare (Ricsi) walks toward the