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Kathryn Bigelow - Wikipedia Kathryn Ann Bigelow ( ˈbɪɡəˌloʊ ; born November 27, 1951) is an American film director, producer, and screenwriter Her accolades include two Academy Awards, two BAFTA Awards, and a Primetime Emmy Award
Kathryn Bigelow - IMDb Kathryn Bigelow Director: The Hurt Locker A very talented painter, Kathryn spent two years at the San Francisco Art Institute At 20, she won a scholarship to the Whitney Museum's Independent Study Program
Kathryn Bigelow | New Movie, A House of Dynamite, Near Dark, Oscar . . . Kathryn Bigelow is an American film director and screenwriter, noted for action films that often feature protagonists struggling with inner conflict She was the first woman to win an Academy Award for best director, for The Hurt Locker (2008)
Kathryn Bigelow on A House of Dynamite | Sight and Sound - BFI Kathryn Bigelow’s A House of Dynamite, a tense political thriller hinging on the threat of nuclear annihilation, is the most compelling film of her career She discusses her commitment to authenticity and her mid-career switch to journalistic realism following the genre delights of Blue Steel, Point Break and Strange Days
Kathryn Bigelow — The Movie Database (TMDB) Kathryn Ann Bigelow (born November 27, 1951) is an American film director Her best-known films are the cult horror film Near Dark (1987), the surfer bank robbery action picture Point Break (1991), the historical mystery film The Weight of Water (2000) and the war drama The Hurt Locker (2008)
Beyond the Boom: The Quiet Power of Kathryn Bigelow Beyond the Boom: The Quiet Power of Kathryn Bigelow If cinema is a language, then Kathryn Bigelow writes its most visceral poetry On her birthday, we celebrate by tracing how a painter from the New York avant-garde learned to make cinema you don’t just watch, but feel in your bones Sometimes, you must quiet the noise to hear the real story
The defining moment of Kathryn Bigelows career - Far Out Magazine Kathryn Bigelow has had a staggering filmmaking career, earning a number of achievements that have defined cinematic history and helped pave the way for a more inclusive industry, becoming the first woman to win an Oscar for ‘Best Director’