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Jacqueline Bisset - Wikipedia Winifred Jacqueline Fraser Bisset LdH ( ˈbɪsɪt BISS-it; born 13 September 1944) is a British actress She began her film career in 1965 and first came to prominence in 1968 with roles in The Detective, Bullitt, and The Sweet Ride, for which she received a Golden Globe nomination as Most Promising Newcomer
Jacqueline Bisset - IMDb Jacqueline Bisset has been an international film star since the late '60s She received her first roles mainly because of her stunning beauty, but over time she has become a fine actress respected by fans and critics alike
Jacqueline Bisset - The Movie Database (TMDB) Jacqueline Bisset (born September 13, 1944) is an English actress She has been nominated for four Golden Globe Awards and an Emmy Award She is known for her roles in the films Bullitt (1968), Airport (1970), The Deep (1977), Class (1983), and the TV series Nip Tuck in 2006
Details about Jacqueline Bisset and her family, spouse, and children? Who is Jacqueline Bisset? Jacqueline is a Primetime Emmy Award-nominated actress, perhaps best known to the world as Cathy in the film “Bullitt” (1968) and as Yvonne Firmin in the film “Under the Volcano” (1984), among many other roles that she’s had in her career
Why has Jacqueline Bisset never married? Her Age, Height, Career Jacqueline, now in her 40s, was now aging out of sex symbol roles; however, she played the lead in popular comedies such as “Scenes from the Class Struggle in Beverly Hills” and “High Season”
Jacqueline Bisset Is 80, Try Not to Gasp When You See Her Today Known for her breakout roles in the 1970s with films like Bullitt (1968), Airport (1970), and The Deep (1977), Bisset became a Hollywood sensation, often celebrated for her striking beauty and on-screen charisma
The 60+ Best Jacqueline Bisset Movies, Ranked By Fans These movies serve as prime examples of her outstanding talent and exceptional contributions to the world of cinema The best Jacqueline Bisset movies not only represent compelling narratives but also highlight her immense contributions to the ever-evolving landscape of cinema