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Special Issues » Journal of the Audio Engineering Society The Journal of the Audio Engineering Society (JAES) welcomes Special Issues (SI) on timely topics related to audio engineering Those interested in arranging an SI in JAES should contact the Editor-in-Chief Vesa Välimäki (vesa valimaki@aes org)
Submit a Paper to the AES Journal Our goal is to increase diversity among the pool of JAES reviewers, which implies that we warmly welcome suggestions of non-male and or non-European experts For a limited time, the Journal of the Audio Engineering Society is offering complimentary Open Access on all Review Papers
Journal Author Guidelines - Audio Engineering Society JAES is a hybrid journal publishing both Open Access and traditional papers, the latter being only available for subscribers, such as AES members Open Access papers published in JAES are freely available to read for all
Journal of the - Audio Engineering Society limit for JAES articles is eight pages Papers should be submitted onli This special issue is expected to be published in the second half of 2023; therefore, a tight reviewing and revision schedule will be in place Submission deadline: January 4, 2023 Planned publication: Fall 2023
An anthology of articles on Audio Technologies mer Multichannel Audiovisual Delivery Systems Sl'awomir K Zielinski, Francis Rumsey, and Soren Bech (JAES, vol 51, pp 475-501 [2003 June])
Special Issue on New Trends in Audio Effects Special Issue on New Trends in Audio Effects With the ubiquitous diffusion of computers and ded- icated digital audio hardware, digital audio effects have acquired a paramount relevance In the process, related scientific communities, such as DAFx, produced a wealth of very advanced results DAFx started as an Euro-pean Union cooperation project, with the first conference being held in 1998
AES E-Library Collections # 4 Concert Hall Acoustics—2008 JAES Volume 56 Issue 7 8 pp 532-544; July 2008 Beranek, Leo L A comprehensive review of concert hall acoustics shows a clear relationship between measurements and perceived quality among listeners, conductors, and musicians