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Mondrian, Composition with Red, Blue, and Yellow - Khan Academy Mondrian’s Composition with Red, Blue, and Yellow demonstrates his commitment to relational opposites, asymmetry, and pure planes of color Mondrian composed this painting as a harmony of contrasts that signify both balance and the tension of dynamic forces
De Stijl, Part II: Near-Abstraction and Pure Abstraction Although it is not obvious when looking at their works, at a certain point Mondrian and van Doesburg stopped working from nature – from trees or cows – and began working directly with the elements of De Stijl: horizontal and vertical lines bounding flat areas of yellow, blue, red, black, and white
De Stijl, Part I: Total Purity (article) | Khan Academy Consisting only of horizontal and vertical lines and the colors red, yellow, blue, black, and white, De Stijl was applied not only to easel painting but also to architecture and a broad range of designed objects from furniture to clothing
De Stijl, Part III: The Total De Stijl Environment - Khan Academy In 1965, French fashion designer Yves Saint Laurent created a set of six cocktail dresses in the style of Piet Mondrian, using only red, yellow, blue, and white rectangles bounded by black horizontal and vertical lines
Mondrian, Composition No. II, with Red and Blue - Khan Academy I've always wondered how one would figure out "which end is up" in a Mondrian painting such as this If you had, say, a postcard of this (or many many other Mondrians), and turned it upside down or 90 degrees to the right or left, by what rules could you determine the correct orientation the artist meant for it to be viewed at?
Shape and form (article) | Elements of art | Khan Academy Piet Mondrian is an excellent example of an artist who used geometric shapes almost exclusively In his Composition with Yellow, Blue and Red (1937-42), Mondrian, uses straight vertical and horizontal black lines to divide his canvas into rectangles of primary colors
Suprematism, Part I: Kasimir Malevich (article) | Khan Academy Kasimir Malevich’s Airplane Flying: Suprematist Composition does not depict an airplane Instead, it was intended to convey the sensation of mechanical flight using thirteen rectangles in black, yellow, red, and blue placed in dynamic relationships on a white ground
Geometric Abstraction in South America, an introduction One example of the cutout frame is Rothfuss’s Three Red Circles, a bright yellow geometrically-shaped composition with shapes delineated with thick black lines, a blue rectangle at the top and on the side, and three small red circles on the left
Composition in Brown and Gray, Piet Mondrian - Khan Academy Mondrian was preoccupied with Picasso's work and his cubist practice and you see references to it in his writing of this time; and he's very careful to say that he's very influenced by him, but at the same time he didn't think Picasso went far enough on the road to abstraction
An introduction to iconographic analysis - Khan Academy Another example that demonstrates the limitations of the iconographic method is Piet Mondrian’s Composition II in Red, Blue, and Yellow It is an abstract image without specific symbols