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Masaccio - Wikipedia Tommaso di Ser Giovanni di Mone Cassai, better known as Masaccio emerged as a pivotal figure during the early Italian Renaissance, or Quattrocento This period, spanning roughly from the late 14th to the early 16th century, marked a profound cultural, intellectual, and artistic transformation
Masaccio | Early Renaissance Painter, Florence, Italy | Britannica Masaccio was an important Florentine painter of the early Renaissance whose frescoes in the Brancacci Chapel of the Church of Santa Maria del Carmine in Florence (c 1427) remained influential throughout the Renaissance
Masaccio Paintings, Bio, Ideas | TheArtStory Masaccio was the first great painter of the Quattrocento period of the Renaissance recreating lifelike figures with a convincing sense of three-dimensionality
Masaccio - First Italian Master of the Quattrocento Florentine painter Tommaso Masaccio, known for his artworks such as Madonna and Child with St Anne (1425), is widely regarded as the very first authentic Renaissance artist The Italian painter’s terribly early death abruptly ended his development, yet Mosaccio’s paintings changed the trajectory of Western art
Masaccio - 31 artworks - painting - WikiArt. org Masaccio (Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance
Masaccio ( The Italian Renaissance): 10 Things You Should Know Founder of the Early Renaissance and master of perspective, Masaccio was one of Florence’s most important artists Read on to find out about his tragically short life and immortal legacy
Biography and art works of Masaccio - Italia Mia Tommaso di Giovanni di Simone, known as Masaccio, was not only the greatest Florentine painter of the early fifteenth century, but remains one of the most important figures in the history of Western art In only a few brief years, he created the early Renaissance style of painting
Masaccio the work of a Renaissance Master Masaccio was one of the first artists to use a vanishing point in his work employing the use of scientific perspective in his paintings The first work attributed to him is the San Giovenale Triptych for the church of Cascia di Reggello near Florence