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A Self-Sensing Haptic Actuator for Tactile Interaction with Physical . . . Mice and McPherson [26] make use of analogue accelerometers, sensing mechanical vibrations to excite a resonant synthesis algorithm The DC component of the signal (corresponding to the angle of the apparatus) modulates the feedback parameter of the synthesis algo-rithm
Real-time Timbre Remapping with Differentiable DSP R H Jack, T Stockman, and A McPherson Rich gesture, reduced control: The influence of constrained mappings on performance technique In Proceedings of the 4th International Conference on Movement Computing, pages 1–8, June 2017 [29] T Jourdan and B Caramiaux Machine Learning for Musical Expression: A Systematic Literature Review
InsightsIntoHowDigitalLuthiersApproachDesign J Armitage, F Morreale, and A McPherson The finer the musician, the smaller he details: NIMEcraft un-der the microscope In Proceedings of the International Conference on New Interfaces for Musical Expression
Stacco: Exploring the Embodied Perception of Latent Representations in . . . [2] J Armitage, T Magnusson, and A McPherson A Scale-Based Ontology of Musical Instrument Design Proceedings of the International Conference on New Interfaces for Musical Expression, pages 339–349, May 2023 Place: Mexico City, Mexico [3] J Armitage, N Privato, V Shepardson, and C B Gutierrez
Muscle-Guided Guitar Pedalboard: Exploring Interaction Strategies . . . [10] L Donovan and A P McPherson The talking guitar: Headstock tracking and mapping strategies In NIME, pages 351–354, 2014 [11] C Erdem, Q Lan, J Fuhrer, C P Martin, J Tørresen, and A R Jensenius Towards playing in the’air’: Modeling motion-sound energy relationships in electric guitar performance using deep neural networks
Sonic Serendipity: Embracing Discovery in File Finder-Based Improvisation A McPherson Failing with style: Designing for aesthetic failure in interactive performance In Proceedings of the 2019 chi conference on human factors in computing systems, pages 1–14, 2019 [11] S Heise, M Hlatky, and J Loviscach Soundtorch: Quick browsing in large audio collections In Audio Engineering Society Convention 125
Longevity in NIME research: a case study using time-based media art . . . [33] R Jack, J Harrison, and A McPherson Digital musical instruments as research products In Proceedings of the International Conference on New Interfaces for Musical Expression, pages 446–451, 2020 [34] A R Jensenius and M J Lyons, editors A NIME Reader: Fifteen Years of New Interfaces Springer, Berlin, 2017 [35] S Jord`a
CordChord: A String Instrument with Optical Sensing 7 REFERENCES [1]Laurel S Pardue and Andrew P McPherson Near-Field Optical Reflective Sensing for Bow Tracking In Proceedings of the 2013 International Conference on New Interfaces for Musical Expression, Daejon, South Korea, May 2013 [2]Laurel S Pardue, Christopher Harte, and Andrew P McPherson A Low-Cost Real-Time Tracking System for
Building Sketch-to-Sound Mapping with Unsupervised Feature Extraction . . . [4] T Dannemann, N Bryan-Kinns, and A McPherson Self-sabotage workshop: A starting point to unravel sabotaging of instruments as a design practice Proceedings of the International Conference on New Interfaces for Musical Expression, pages 70–78, May 2023 Place: Mexico City, Mexico [5] H Diao, Y Zhou, C A Harte, and N Bryan-Kinns
Occupational Therapy Methods in the Design of Accessible Musical . . . J Harrison, A Chamberlain, and A P McPherson, Accessible Instruments in the Wild: Engaging with a Community of Learning-Disabled Musicians, in CHI EA ’19 New York, NY, USA: Association for Computing Machinery, (2019)