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RAIN ROOM

MISSISSAUGA-Canada

Company Name:
Corporate Name:
RAIN ROOM
Company Title:  
Company Description:  
Keywords to Search:  
Company Address: 360 Revus Ave #19,MISSISSAUGA,ON,Canada 
ZIP Code:
Postal Code:
L5G4S4 
Telephone Number: 9052711370 
Fax Number:  
Website:
 
Email:
 
USA SIC Code(Standard Industrial Classification Code):
5941-09 
USA SIC Description:
Tents-Retail 
Number of Employees:
5 to 9 
Sales Amount:
$1 to 2.5 million 
Credit History:
Credit Report:
Good 
Contact Person:
Ted Hartwell 
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Company News:
  • LIMITS OF CONTROL: RAIN ROOM AND IMMERSIVE ENVIRONMENTS - Artforum
    Rain Room is the brainchild of Random Inter­national, a London-based collective founded in 2005 by Hannes Koch, Florian Ortkrass, and Stuart Wood They debuted this technically impressive (if far from random) environment at London’s Barbican Centre in October 2012 before installing it at MoMA within a large, orthogonal black tent in the lot adjacent to the museum building this summer
  • LACMA Acquires Rain Room - artforum. com
    Restoration Hardware has gifted the Los Angeles County Museum of Art Rain Room, 2012, an interactive installation that re-creates the experience of a torrential downpour for visitors without drenching them in rainwater, Javier Pes of the Art Newspaper reports The gift marks the fiftieth anniversary of LACMA’s Art and Technology Lab
  • Dan Adler on Yuko Mohri’s “Moré Moré (Leaky),” 2015– - Artforum
    But lately such fond reminiscences are few and far between, partly because of the surging tide of institutional pressure to produce easy-to-consume spectacles Back in 2016, for example, a bit of dread crept into my encounter with Random International’s Rain Room, 2012, when the work made an appearance at the Los Angeles County Museum of Art
  • CLOSE-UP: IN KINO VERITAS - Artforum
    We then see Rouch, Morin, and Marceline, one of the principal subjects, sitting in a comfortable living room, talking and chain-smoking Almost everyone in the film lights up in order to formulate a thought, a ritual that seems more antiquated than anything else depicted
  • CLOSE-UP: UNMOORED FUTURE - Artforum
    Still from Rosa Barba’s Outwardly from Earth’s Center, 2007, 16 mm transferred to video, color and black-and-white, sound, 22 minutes IN ROSA BARBA’S enigmatic twenty-two-minute film Outwardly from Earth’s Center (2007), the inhabi­tants of a remote Swedish island in the Baltic Sea attempt to halt their home’s steady drift northward The all-but-inevitable collision with the
  • Budi Tek (1957–2022) - artforum. com
    The institution twice displayed Random International’s immersive Rain Room, which Tek especially loved; at his death, a landmark show of work by Yoshitomo Nara, organized in conjunction with the Los Angeles County Museum of Art (LACMA) and Qatar Museums, had just opened
  • Jack Bankowsky - artforum. com
    While a good two-thirds of the works in any given room blindside with their originality, it was the late sheet-metal inventions in the final gallery that sang for me
  • Benjamin H. D. Buchloh - Artforum
    The exhibition’s other grand—indeed even grander—portal, the entrance to the Central Pavilion, which has traditionally hosted the Biennale’s general theme show, funneled us through an installation of thirty-eight high-resolution reproductions of pages from Carl Jung’s famous, if until recently unseen, Red Book (Left unfinished in 1930, it was published for the first time, in
  • TWO ANTITHETICAL ARCHIVES CAUGHT IN A CRUEL DIALECTIC - Artforum
    The Adventure Playground and Playscape Archive and the Defensive Architecture and Design Archive—two projects of mine from which the following images are drawn—address these very specific developments in how public space is produced, manipulated, controlled, and experienced, working together in a perverse feedback loop Since 1995, when I began photographing manifestations of defensible
  • CLOSE-UP: WEATHER CHANNEL - Artforum
    To view Symptomatic Syntax, 1981, a twenty-seven-minute-long video work by Frank Gillette, is to be implicated in a concerted interaction between technical, biological, and human time loops that was one of the key preoccupations of the Raindance media collective founded in 1969 by Gillette along with Paul Ryan, Michael Shamberg, and Ira Schneider:This was the “media ecology” famously




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