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RONDO MUSIC

TOWACO-USA

Company Name:
Corporate Name:
RONDO MUSIC
Company Title: Rondo Music Home Page 
Company Description:  
Keywords to Search: kurt zentmaier,agile, sx, cnb 
Company Address: 1597Rt22West,TOWACO,NJ,USA 
ZIP Code:
Postal Code:
7082 
Telephone Number: 9085344085 (+1-908-534-4085) 
Fax Number:  
Website:
rondomusic. com 
Email:
 
USA SIC Code(Standard Industrial Classification Code):
274104 
USA SIC Description:
Music Publishers 
Number of Employees:
 
Sales Amount:
 
Credit History:
Credit Report:
 
Contact Person:
 
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Company News:
  • musical forms - What differs between the rondo and its Baroque . . .
    Is the episode significantly different from the main theme? And both the rondo and the ritornello checked those boxes So here is an example of a ritornello: And here is an example of a rondo: They both involve development, variation upon repetition, modulation, main theme and episodes So what’s the difference between them?
  • theory - Why is Mozarts Turkish March considered a rondo? - Music . . .
    A rondo is defined by repetition (the A section in most cases) and you start with one musical idea go somewhere else (typically refereed to as an episode) and comes back
  • What are some other basic forms besides ABA and ABACA? - Music . . .
    2 Multiple "forms" as the question defines them can get named the same thing in classical music For example, both ABACA and ABACABA are rondos, as is ABACADA (In rare cases, a scherzo and double trio fits ABACA--or ABABA ) There's also sonata-rondo form Depending on which work you're listening to, it can be ABACB'A or ABACAB'AD
  • composition - What makes a piece a bagatelle? - Music: Practice . . .
    So besides the piece being in either Rondo or Ternary form, being short, having 2 sections in the same key and another section in a contrasting key, and having the 2 sections that share a key differ in intensity, what makes it a bagatelle?
  • piano - Strange Fingering in Rondo Alla Turca - Music: Practice . . .
    I recently acquired a copy of Mozart's Rondo alla Turca and am a bit baffled by one of the fingerings annotated: On measure 47, it marks 3-1-4 for C#, E, A Is there a reason for this fingering? Or
  • theory - How to play multi-note Appogiaturas and Acciaccaturas - Music . . .
    In general, it depends on the style of the piece and sometimes the specific composer However, in the case of Mozart's Rondo alla Turca, it should be initiated before the beat The appogiaturas in the piece are imitations of percussion instruments, which, of course, would play on the beat, but to get the proper effect on piano, the need to start a bit early
  • terminology - What forms can a classical composition be? - Music . . .
    For example, Binary, Ternary, Sonata and Rondo forms are all used to some degree from about the Baroque and onward (or longer) What should be realized is that there are many different types of classical music forms, each possibly with their own structural terminology (though there may be some overlap)
  • Is the Presto in Mozarts Divertimento in D in Ternary form or a Rondo?
    Rondo Perspective Now, on the other hand, what if it is just a short Rondo that happens to resemble Ternary Form? For centuries, the form of ABA has been called, in German, Kleine Rondo, which means little Rondo This is what I thought at first Even the repeats fit well into being in Rondo form
  • Need help with a measure within Mozarts Rondo alla Turca
    In the 21st measure of Mozart's Rondo alla Turca Turkish March (3rd movement of K 331), there's a trill in the treble clef that I can't quite get right Would you be so kind to expand the measure as plain notes, so I know when to coordinate the base chords with the trill please?
  • How to overcome emotional tension with this Beethoven rondo
    The Beethoven rondo I am referring to is the one in G major, widely known as "Rage over a Lost Penny" There is a 20 measure section starting at measure 291 where Beethoven uses pretty much just chromatic diminished sevenths with 2 measure breaks of the major scale This is the section where I am emotionally challenged




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